![]() ![]() Several escape routes take shape in his mind. The couple drifts through the parlor and kitchen and dining room as Breitwieser memorizes the side doors and keeps track of the guards. The Rubens House is an elegant museum in the former residence of Peter Paul Rubens, the great Flemish painter of the 17th century. Breitwieser wears a button-down shirt tucked into stylish pants, topped by an overcoat that’s sized a little too roomy, a Swiss Army knife stashed in a pocket. Anne-Catherine is tastefully dressed in Chanel and Dior bought in secondhand shops, a big Yves Saint Laurent bag on her shoulder. The couple blends with the tourists at the Rubens House, pointing and nodding at sculptures and oils. It’s lunchtime, stealing time, on a busy Sunday in Antwerp, Belgium, in February 1997. Then they purchase two tickets with cash and walk in. Approaching the museum, ready to hunt, Stéphane Breitwieser clasps hands with his girlfriend, Anne-Catherine Kleinklaus, and together they stroll to the front desk and say hello, a cute couple.
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